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Jerusalem-born trauma expert Ofra Bloch forces herself to confront her demons in a journey that takes her to Germany, Israel and Palestine. Set against the current wave of fascism and anti-Semitism sweeping the globe, 'Afterward' delves into the secret wounds carried by victims as well as victimizers, through testimonies ranging from the horrifying to the hopeful. Seen as a victim in Germany and a perpetrator in Palestine, Ofra faces those she was raised to hate and dismiss as she searches to understand the identity-making narratives of the Holocaust and the Nakba, violent and non-violent resistance, and the possibility of forgiveness; directors: Ofra Bloch; creator: Ofra Bloch; Release year: 2018; Country: USA.

" Afterward " is a short story by American writer Edith Wharton. It was first published in the 1910 edition of The Century Magazine. and later reprinted in her books The Collected Short Stories of Edith Wharton and Tales of Men and Ghosts (1910. It is an ironic ghost story about greed and retribution. The ghost comes for one of the main characters long after a business transgression where the character wronged another. Summary [ edit] Part I [ edit] She recalls a conversation that she and her husband, Ned Boyne, had with their cousin Alida Stair six months earlier. The conversation centered on their search for a house in a southern or southwestern county in England. Alida suggested Lyng in Dorsetshire, after they had turned down several more suitable suggestions. Lyng is old, isolated, and in disrepair and they are attracted to it because of the “charm of having been for centuries a deep dim reservoir of life. [1] ” They only wanted the house if it was haunted. Legend has it that the inhabitants of Lyng dont know theyve encountered the ghost until long afterward. Mary reflected on the legend with a new “perception of its significance [2] ” because of her husbands disappearance. The Boynes were nouveau riche because of a business deal made by Ned and were looking for a place to pursue their dream of a life of leisure. They wanted to sit “in the thick December dusk, by just such a wide-hooded fireplace, under just such black oak rafters, with the sense that beyond the mullioned panes the downs were darkened to a deeper solitude. [3] ” Mary recalls that her husband seemed withdrawn and worried earlier in the month but she did not question him about it and he did not reveal why he was upset. As she is reflecting on that day, she recalls an event two months prior, in October, where she had accidentally come across a hidden stairwell that led to a flat ledge on the roof. She remembers that she and Ned climbed the stairs to take in the view and that as they were reveling in the beautiful landscape, a stranger approached. Mary remembers noticing that Ned became perplexed and suddenly fled. At the time of the incident, Mary gave it no more thought because there were various tradesmen coming and going each day working on the house and Ned redirected Marys concern with a trip to Meldon Steep. Now, however, she recalls the anxiety that was evident on Neds face. Part II [ edit] Mary recalls a day, earlier in December, where she noticed a figure coming up the walk. She thought it was the ghost but it turned out to be her husband (a bit of foreshadowing. She remembers being determined to find out what was bothering Ned and intentionally asking him while they were sitting in the library if he had seen the ghost yet. He replied that he had not. She remembers noticing a change in his demeanor as he opened his mail that evening. He seemed to be relieved of whatever burden he was carrying. She recalls feeling relieved at the change until she opened her mail. Someone sent her a newspaper clipping about the suit that a man named Elwell brought against Ned concerning the Blue Star Mine business deal. When Mary questioned Ned about it, he diffused her queries with “I thought that kind of thing bored you [4] ” and he told her the suit had been withdrawn, but he did not reveal why. Mary remembers feeling a stab of guilt at not taking an interest in her husbands business affairs. Part III [ edit] She remembers waking up the next day, feeling refreshed at the change in Ned. She reasoned that she did not have to know about his affairs because she trusted him implicitly and decided to work on her garden. She recalls that a stranger approached and inquired about her husband so she directed him to the library to find Ned. She did not give the encounter much thought until later that day after she learns that Ned left with the stranger. She recalls feeling very uneasy with each passing hour because Ned did not return. She remembers going into the library to search for clues to his absence and finding a cryptic note that reads: “My dear Parvis, I have just received your letter announcing Elwells death, and while I suppose there is now no further risk of trouble, it might be safer –. [5] “ Mary disregarded the note at the time but continued to search for clues. She remembers the dread she felt when she realized that Ned left with the stranger. Part IV [ edit] Mary recalls the widespread search by the authorities for Ned. She remembers searching and finding the note to Parvis again and contacting him. He did not have any information to impart. Mary remembers feeling the gradual acceptance of her situation, she became “domesticated with the Horror, accepting its perpetual presence as one of the fixed conditions of life. [6] ” She remembers reasoning that “no one would ever know [7] ” what happened to Ned but that “the house knew. [8. Mary recalls thinking that the house was “mute accomplice [9] ” in Neds disappearance. Part V [ edit] Mary recalls Parvis visit and his explanation of the events at the Blue Star Mine. She finally learned about the bad business deal that destroyed Elwells life and puts the events together when she sees a picture of Elwell. The legend had come true and she finally realizes that the ghost of Lyng had appeared and taken Ned away. Analysis [ edit] The story is divided into five parts and is told as an exploration of the memories of the central character with several instances of foreshadowing. The dynamic plot starts at the end and bounces back and forth throughout time within a six-month period. An unnamed narrator in third person limited omniscience point of view tells the story. There are several conflicts throughout the story, both internal and external, which include: woman against self, woman against another, woman against society, man against self, man against another, man against society. The focus of the narration is on the central character, Mary Boyne. She is happy to know nothing of her husbands business affairs until he goes missing. Her mood transforms from happy to worried and then sad by the end of the story. Mary is the wife of Ned. He is a businessman who strikes it rich in the states and moves his wife to England. He is secretive and his mood transforms from happy to forlorn in a matter of three months. The secrets that he keeps from Mary are his downfall. The setting is on old house name Lyng in Dorsetshire, England. The house is in disrepair and the location is remote. The narrator alludes to darkness and history throughout the story, which contributes to the dark and secretive atmosphere. There is irony in the story. The irony is that they brought the ghost with them. The ghost appears to the houses inhabitants but they do not realize it until long after the damage is done. The Boynes bought the house because of the ghost and the ghost took Ned away, in effect wrecking their idyllic life. Adaptations [ edit] “Afterward” is the fourth episode of the short film DVD series Shades of Darkness – Six Mysterious Tales of Paranormal. The plot retells the story making Mary and Ned Boyne a young newlywed couple who buy a house is the south of England that is haunted and they regret it. [10] There is an audio book version of “Afterward” available on Librivox. Each chapter is read and recorded by volunteers across America. [11] The story has also been adapted for the radio and broadcast on BBC Radio 4 Extra. References [ edit] Sources [ edit] Oates, Joyce Carol, American Gothic Tales, Plume, December 1996) Lloyd-Smith, Alan, American Gothic Fiction, Continuum, 2004) External links [ edit] Critical review Complete text Complete text.

“A brilliant personal exploration of the psychological obstacles to peace in the Middle East, and the tectonic plates of history that have brought two peoples to this tragic impasse. ” —Lawrence Wright, Pulitzer prize-winning author 1091 and ABRAMORAMA present Synopsis Jerusalem-born trauma expert Ofra Bloch forces herself to confront her personal demons in a journey that takes her to Germany, Israel and Palestine. Set against the current wave of fascism and anti-Semitism sweeping the globe, AFTERWARD delves into the secret wounds carried by victims as well as victimizers, through testimonies ranging from the horrifying to the hopeful. Seen as a victim in Germany and a perpetrator in Palestine, Bloch faces those she was raised to hate as she searches to understand the identity-making narratives of the Holocaust and the Nakba, violent and non-violent resistance, and the possibility of reconciliation. The film points towards a future – an “afterward” – that attempts to live with the truths of history in order to make sense of the present. Upcoming Screenings January 20, 2020 - January 21, 2021 February 11, 2020 Utah Film Center Tuesday, February 11th, 2020 Special Skype Q&A with Director Ofra Bloch Past Screenings January 25, 2020 Upstate Films Saturday, January 25 Q&A with co-writer/producer Jack Riccobono January 20, 2020 - January 21, 2020 Laemmle Royal Monday, January 20th at 7:30pm Special Q&A with director Ofra Bloch and moderated by Julia Turner, Deputy Editor of Art & Entertainment at the Los Angeles Times. Tuesday, January 21st at 1:00pm January 20, 2020 - January 21, 2020 January 20, 2020 - January 21, 2020 January 17, 2020 - January 23, 2020 January 17, 2020 - January 23, 2020 January 10, 2020 - January 16, 2020 Village East Cinema January 10th to January 16th Friday 1/10 Q&A with director Ofra Bloch and producer Jack Riccobono, moderated by New York Times deputy politics editor Rachel Dry Saturday 1/11 & Sunday 1/12 Q&A with director Ofra Bloch and film subject Basel Alyazouri Wednesday 1/15 Q&A with director Ofra Bloch and producer Jack Riccobono October 22, 2019 - October 22, 2019 July 31, 2019 - July 31, 2019 July 26, 2019 - July 27, 2019 June 1, 2019 - June 2, 2019 April 14, 2019 - April 15, 2019 April 11, 2019 - April 13, 2019 April 5, 2019 - April 14, 2019 March 30, 2019 - March 31, 2019 February 1, 2019 - February 3, 2019 November 7, 2018 - November 14, 2018 New York, NY, United States Press Los Angeles Times Review: ‘Afterward analyzes the legacy of trauma, fascism and anti-Semitism NPR NPR's Leila Fadel speaks with Ofra Bloch about her documentary Afterward. Having grown up surrounded by Holocaust survivors, Bloch decided to examine her long-held belief that Germans were bad. Leila Fadel The New York Times A documentary seeks to find out what people think of Jews, the Holocaust and history. Ken Jaworowski Filmmaker Magazine “The Act of Listening Requires a Sort Of Surrender to the Narrative of the Other”: Ofra Bloch on Afterward Lauren Wissot Palestine-Israel Journal The growth of political polarization and tribalism worldwide, and what I was learning in my psychoanalytic practice, led me to question my own demonization of Germans. Ofra Bloch International Documentary Association In this edition of "The Feedback. we spotlight Ofra Blochs Afterward. Bloch is a filmmaker and psychoanalyst based in New York City. Lauren Giella The Hollywood Reporter Abramorama has nabbed the North American rights to Afterward, director Ofra Bloch's documentary that is executive produced by filmmaker and activist Abigail Disney, whose great-uncle was Walt Disney. Etan Vlessing Huffington Post An exclusive clip from the new documentary Afterward. HuffPost Entertainment American Jewish World There is increasing recognition that this psychological disruption reverberates through generations. Mordecai Speckor Lilith Magazine A Filmmaker Listens to Germans, Jews and Palestinians Noa Kattler Kupetz The Hollywood Reporter Ofra Bloch's documentary deals with the lingering trauma suffered by Israelis, Palestinians and Germans as a result of such events as the Holocaust and the Nakba. Frank Scheck Unseen Films Looking to end the hate at DOC NYC 2018 Steve Kopian Women & Hollywood DOC NYC 2018 Women Directors: Meet Ofra Bloch – “Afterward” Rachel Montpelier YNET In a special interview, she talks about the creepy journey documented in the film, and the encounter between second generation Holocaust survivors and second generation Nazi soldiers. Adi Greenberger Team Bios Ofra Bloch Director, Writer is a filmmaker and psychoanalyst in private practice in New York City. She grew up in Israel, where her deep interest in the short and long-term effects of trauma originated. She has volunteered with Doctors of the World, where she interviewed victims of torture, and wrote their affidavits. She began making short documentaries 10 years ago. AFTERWARD is her first feature documentary. Jack Riccobono Producer, Co-Writer has written, directed and produced a wide range of work across the five boroughs of his native New York City and around the world. His critically acclaimed documentary feature THE SEVENTH FIRE premiered at the Berlin Film Festival and received a NYTimes Critics Pick during its theatrical release in North America and the UK. A graduate of Harvards VES Film Production Program and Werner Herzogs Rogue Film School, Jacks films have screened at festivals and venues including New Directors/New Films, the Institute of Contemporary Arts, the New Museum, and the Museum of Modern Art. In 2008, Jack launched the production company All Rites Reserved, dedicated to producing films with global reach that push visual and conceptual boundaries. Abigail E. Disney Executive Producer is a filmmaker, philanthropist, activist, and the Emmy-winning director of THE ARMOR OF LIGHT. As president and CEO of the documentary production company Fork Films, she produced the groundbreaking PRAY THE DEVIL BACK TO HELL and co-created the subsequent PBS series WOMEN, WAR & PEACE, which looks at women in modern war as active agents for peace and positive change makers in their communities. She is also the founder of the nonprofit Peace is Loud, which uses storytelling to advance social movements, focusing on womens rights and gender justice. Adam Schlesinger Executive Producer is an award-winning independent filmmaker. Most recently, he directed and produced RESTLESS CREATURE: WENDY WHELAN, which had its world premiere at the New York Film Festival ahead of an exclusive release on NETFLIX. Schlesinger has also produced many critically acclaimed documentaries, including AI WEIWEI: NEVER SORRY (IFC/Sundance Selects) the Emmy-nominated SMASH HIS CAMERA (HBO, Magnolia Pictures) and the Emmy-nominated PAGE ONE: INSIDE THE NEW YORK TIMES (Magnolia Pictures, Participant Media. Michael J. Palmer Editor, Co-Writer has collaborated with accomplished directors on complex, far-reaching documentary films since 2007. After a stint as a professional musician, he was assistant editor on Martin Scorseses two-part George Harrison documentary, LIVING IN THE MATERIAL WORLD. He joined teams of editors on Alison Ellwoods epic rock-doc, HISTORY OF THE EAGLES, THE 50 YEAR ARGUMENT, co-directed by Martin Scorsese and David Tedeschi, and THE SEVENTH FIRE, a raw, vérité look at Native American gangs directed by Jack Pettibone Riccobono. Michael has cut several films for Alex Gibneys Jigsaw Productions, including the Emmy-nominated ELIÁN, and STEVE JOBS: THE MAN IN THE MACHINE, on which he also served as co-producer. Alex Stikich Cinematographer is an award-winning freelance cinematographer based in New York. He works professionally on a wide range of documentary, narrative, commercial and corporate projects around the world, ranging from issues like economic development in Africa/Europe, to life aboard US NAVY aircraft carriers, to a science series about infrastructure networks (food / transportation / manufacturing / energy. Recently, he has done work for BOMBSHELL a documentary about the lesser known inventions of Hedy Lamarr and LINCOLN, a project exploring the legacy of Lincoln as it pertains to the current state of the GOP. Lucas Lechowski Composer started his musical journey as a classical violinist at the age of four, eventually graduating from the Conservatory of Music in Katowice, Poland. In the field of composition Lechowski has scored over 50 projects, including feature films, documentaries and theatre plays. Lechowski is a Fellow of the Sundance Institute Composers Lab and the Berlinale Talents alumnus. He was selected for the leading film scoring workshops including ASCAP/Columbia University Film Scoring Workshop, the NYU/ASCAP Television & Film Scoring Workshop and the Society of Composers and Lyricists Mentorship Program. Contact To support our outreach campaign, please click here.

As a devout Catholic and a movie fan I'm interested to see this movie. Frozen II is the best animated film of the year Ha. Talented and creative musicians. Bravo. I always find myself singing this whenever someone breaks my heart. here i am, yet again. The power of music. it makes you travel through time and smile to think that you was only 9 years old, beautiful. Charge on 1 electron. 1. 6x10^ 19C so charge on 1. 0x^10^12 electrons. 1. 0x^10^12) x ( 1. 6x10^ 19C. 1. 6 x 10^ 7C. To turn C to nC multiply by 10^9 (e. g. 1C = 10^9nC) 1. 6 x 10^ 7C. 1. 6 x 10^ 7C x 10^9 nC. 160nC. The charges will evenly distributed between the 2 spheres because they are connected. There will be half the total charge on each. A and B both have -80nC. Am I the only one who noticed the dear god cover soundtrack? beautiful.

Woah, an actual respectful farewell to Kobe instead of just throwing him in to another taps injury reel? No way. Afterward[s] As someone with a background in British English who has studied and lived in the US over the past four years, I would say that "afterwards" is more commonly used in the British, while "afterward" is chiefly found in American usage. To confirm this, I sampled various dictionaries online, both American and British. However, this does not always follow for words such as "forward[s. backward[s. etc. I will deal with each case separately, treating them all as adverbs: Forward[s] The form "forwards" is rarely ever used in today's English, whether British or American. With or without the "s" the meaning remains unchanged. Backward[s] Again, backward" is chiefly American, while "backwards" is certainly almost always used in the British. (As an adjective, though, backward" is the correct usage, never with the "s. Toward[s] The form "towards" is the British usage, while "toward" is the American. Suffixation: Of course, the suffix " ward[s] can be tagged onto any word to indicate direction, as in "heavenward. landward" and so on. As a general rule, it is strictly " ward" in all adjectives, while adverbs could be " ward" or " wards. depending on the user. And no, the "s" does not indicate plurality.

Unwatchable quality😞. This is my favorite song of yours. Take my money! ruffalo is so good. keaton. ahhh. Arabic: أَخِير ‎ ( ʾaḵīr) بَعْدَ ذٰلِك ‎ ( baʿda ḏālik) Armenian: հետո   (hy. heto) Aromanian: apoi Bengali: এরপর ( erpôr) এর পর ( er pôr) এরপরে ( erpôre) এর পরে ( er pôre) তারপর ( tarpôr) তার পর ( tar pôr) তারপরে ( tarpôre) তার পরে ( tar pôre) Bislama: bihaen Bulgarian: ( sled tova)   (bg. vposledstvie) Burmese: နောက်ပြီး   (my. naukpri: Catalan: després   (ca) Chinese: Cantonese: 然後, 然后 ( jin 4 hau 6) 然之後, 然之后 ( jin 4 zi 1 hau 6) Mandarin: 然後   (zh) 然后   (zh. ránhòu) Czech: později   (cs) poté   (cs) Danish: bagefter, senere   (da) Dutch: nadien   (nl) achteraf   (nl) Esperanto: poste   (eo) Finnish: jälkeenpäin   (fi) jälkikäteen, perästäpäin, sittemmin, myöhemmin   (fi) perässä   (fi) French: après   (fr) ultérieurement   (fr) ensuite   (fr) après coup   (fr) par la suite   (fr) Georgian: შემდეგ ( šemdeg) შემდგომ ( šemdgom) შემდეგში ( šemdegši) German: später   (de) nachher   (de) danach   (de) hinterher   (de) Greek: ύστερα   (el. ýstera) κατόπιν   (el. katópin) μετά   (el. metá) Ancient: ὑστέρως ( hustérōs) Hebrew: אחר־כך ‎ ( akhar-kakh) Hindi: बाद में   (hi. bād mẽ) Hungarian: azután   (hu) később   (hu) utóbb, utólag   (hu) utána   (hu) Ido: pose   (io) Interlingua: pois Interlingue: poy, plu tard, pos to Irish: ina dhiaidh sin Italian: dopo   (it) poi   (it) successivamente   (it) in seguito Japanese: その後 ( sonogo) それから ( sorekara) 後で ( atode) Kurdish: Sorani: لە دواییا ‎   (ku. le dwayya) پاشان ‎   (ku. paşan) Latin: posteā, mox   (la) hinc   (la) tunc   (la) Latvian: pēc tam, vēlāk Maori: muri Norwegian: i etterkant, derpå   (no) Bokmål: etter   (no) etterpå   (no) senere   (no) deretter   (no) i ettertid Nynorsk: etter   (nn) etterpå, deretter, i ettertid Novial: aftru Persian: بعد ‎   (fa. ba'd) Polish: później   (pl) potem   (pl) Portuguese: depois   (pt) mais tarde, em seguida Romanian: apoi   (ro) mai târziu   (ro) Russian: ́   (ru. pózže)   (ru. potom)   (ru. posle) Scottish Gaelic: an dèidh sin, an dèidh làimhe Serbo-Croatian: Cyrillic: , ј , / ј ,   (sh) Roman: posle   (sh) kasnije   (sh) posle   (sh. poslije   (sh) potom   (sh) naknadno   (sh) Slovene: potém   (sl) Sorbian: Lower Sorbian: pótom, pón Spanish: después   (es) consecuentemente, en seguida   (es) Swedish: efteråt   (sv) senare   (sv) Tagalog: pagkatapos   (tl) Tok Pisin: bihain Turkish: sonradan   (tr) daha sonra, sonraları   (tr) sonra   (tr) sonrasında Urdu: بعد میں ‎ ( bād mẽ) Vietnamese: sau này   (vi) sau đó   (vi) về sau   (vi) Volapük: poso   (vo) Welsh: wedyn Yiddish: דערנאָך ‎ ( dernokh.

Critics Consensus No consensus yet. 83% TOMATOMETER Total Count: 6 Coming soon Release date: Jan 10, 2020 Audience Score Ratings: Not yet available Afterward Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Afterward Videos Photos Movie Info In this personal documentary, Jerusalem-born trauma expert Ofra Bloch forces herself to confront her demons in a journey that takes her to Germany, Israel, and Palestine, where she is seen as a victim in one context and a perpetrator in the next. The film points towards a future- an "afterward" that attempts to live with the truths of history in order to make sense of the present. Rating: NR Genre: Directed By: Written By: In Theaters: Jan 10, 2020 limited On Disc/Streaming: Jan 28, 2020 Runtime: 94 minutes Studio: 1091 Cast Critic Reviews for Afterward Audience Reviews for Afterward Afterward Quotes News & Features.

Watched it at the theater last night. Loved it. The whole movie is in this trailer tho lol. I still would have seen it because I love Tiffany. They chose to submit this over “Portrait of a lady on fire”. This is just as bad as when in 2016 South Korea didnt submit “The Handmaiden” (the handmaiden was a sure Win not just a nomination. Welp, dont expect to win anything France your own fault. My uncle was one of the drawers in this move. <3. Ahh you need to be on an episode of SAY YES TO THE DRESS. 👰 💍💍.

My husband and I are middle school sweet hearts. We got married at 16 and we are still going strong. ♾ #2006 married in 2012 🤍 Second child is now coming, we have a 5 year old. 😩🤩. From 4:50 on could be considered a completely different song IMO. I'd call it the friends you brought (reprise) seeing as it's somewhat a reprisal of the beat of afterwards (bring yo friends.

Krisss i want you, i love you. I absolutely adore them 🥺. Haha this is how we get to see stephen act more like himself. Oh I cant wait to see this. Translation. Examples of afterward afterward Consumption increases slightly at the moment of the shock because of the transfer of resources from investment, decreasing afterward because of the negative wealth effect. During the performance, he recovers and begins to enjoy himself, though he collapses again directly afterward. These examples are from the Cambridge English Corpus and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors. More examples Fewer examples After these immediate measurements, samples were then placed on ice and tested for active photosynthesis at various time intervals afterward. He further said that he had received three spoons at that time, one of which mysteriously disappeared shortly afterward. Overall precision was 73% before disconnected chain removal and 100% afterward, whereas recall was 85% across both domains. Afterward he sees his favorite dancer wiping sweat from her face as she receives his complements with cool bows. Also, patients appreciated the unusual event that the hospital was interested in their well-being afterward. She expressed no remorse afterward, nor any real understanding of the fact that this behavior was interfering with her functioning. Crucially, bare ungrammatical forms are as likely to appear during the first 17 weeks as they are afterward. Afterward, the drawings and notes were collected and numbered chronologically, and the tapes were transcribed. Afterward, the assumption of full constrained persistence is relaxed, and the model is solved with different initial shock values for the two agents. Some women lived together with their child's father at the child's birth and married shortly afterward. In both cases, what is going on afterward? Coincidentally, a bridge crosses the creek near its mouth: as becomes clear afterward, the speaker traces the creek from the mouth to its headwaters. What role, if any, did viruses have in the period when life began and shortly afterward. Test your vocabulary with our fun image quizzes { pyright1} pyright2} pyright3} Try a quiz now a cheap simple food made, especially in the past, by boiling oats with water or milk About this.

I havent stopped smiling this whole video. Im so happy for you guys. ❤️❤️.
One of the best movies of 2020 ! I love the chilling thrill of this movie and I thought the huge monster was epic ! This movie blew my mind away.
Monica Castillo January 10, 2020 In Ofra Bloch s “Afterward, ” the director connects current and past traumas by reflecting on her childhood memories, her beloved uncles experience of the Holocaust, and how she learned to fear her Palestinian neighbors in Israel. Yet while Bloch's emotions and thoughts about the Holocaust and the Israeli occupation are deeply felt, the documentarys finer points are a little less clear. Armed with a background in psychology, Bloch talks through her observations with Germans, fellow Israelis, and Palestinians and asks about their experiences. She explores the dichotomies of victimhood and oppressor, the losses suffered on all sides, the pain that lingers for generations, and the stories we tell ourselves to justify misguided actions. Like conversational therapy, the transitions arent always clean. Stream-of-consciousness confessions may come out in starts and fits. The heady film always feels a little directionless, meandering between subjects testimonies like that of a reformed Neo-Nazi skinhead to the Jewish artist who was protested and persecuted for creating a Holocaust memorial. Advertisement Bloch uses her background as a personal entry into these topics, sometimes quite literally. She takes a Michael Moore-like approach to the documentary and is in almost every frame of the film either leading the camera to her next interview, sharing a heart-to-heart with her subjects or walking into a potentially tense altercation in the street. In one somewhat awkward moment, she inserts herself in a Palestinian protest against occupiers by asking if someone speaks English or Hebrew.  Bloch's intentions are good, but at times, they come across as too self-serving. The movie is about her as much as it is the theory she has observed examining her familys history of trauma and looking at how todays violence could mark future generations. Whenever she strays too far from the original topic, Bloch returns to the bittersweet motif of her childhood memory of walking with her uncle carrying ice home to his refrigerator, a scene which takes on heavier meaning the more times we see it and she reveals more about his backstory. Its a subtle but effective emotional reminder of the loss that has been suffered and continues to be inflicted.    The film jumps back-and-forth between the present and the past; its up to the viewer to keep up or assume that time just has a bad habit of repeating its worst qualities. Some points are lost in-between some of the films more heated discussions, like the idea that part of the reason the Holocaust still haunts Germans today is that many from that generation have refused to acknowledge it or discuss it at all. As more generations have come up, theres a mixed sense of shame, resentment, or inherited disillusionment. Bloch doesnt stick to the topic long enough to prescribe a list of next steps like “we should talk about this more, ” only musing on it before moving on to the next set of ideas.  Is it ever possible to heal from such an event or forgive the population that so comfortably ignored or endorsed your peoples persecution? The documentary doesnt seem to have a clear answer because most of its interview subjects havent figured that out for themselves, either. In this sense, “Afterward” feels like the first in a series of therapy sessions, a good starting off point, but with many more hours of discussion still ahead. Reveal Comments comments powered by.
Whenever i watch this, it never fails to make me cry. even tho im not a exo fan.
Great actors... Looking forward to it.

Beautifully rearranged ole sio. Obi Wan Kenobi, what are you doing in the DC universe. Following in time or place we'll go to the play, then have supper afterward Synonyms for afterward after, later, latterly, subsequently, thereafter Words Related to afterward next by and by, hereafter, presently, since, soon, then, thereupon hereinbelow, infra Near Antonyms for afterward formerly heretofore, theretofore Antonyms for afterward afore [ chiefly dialect] ahead, antecedently, anteriorly, before, beforehand, earlier, previously.

Seems kind of boring and predictable.

No one: Urinatingtree: OH BOY, UPLOADING AT 12:35

Potom později bagefter derefter efter sidenhen poste jälkeenpäin poslije azután később utóbb utólag eftir á, seinna 後で 나중에 efteråt หลังจากนั้น sau đó afterwards [ˈɑːftə r wə r dz] adv → après soon afterwards, not long afterwards → peu de temps après She left not long afterwards → Elle est partie peu de temps après. afterwards adv → nachher. after that, after some event etc) → danach; and afterwards we could go to a disco → und anschließend or nachher or danach gehen wir in eine Disko; can I have mine now? — no, afterwards → kann ich meins jetzt haben? — nein, nachher; this was added afterwards → das kam nachträglich dazu after ( ˈaːftə) preposition 1. later in time or place than. After the car came a bus. 2. following ( often indicating repetition. one thing after another; night after night. 3. behind. Shut the door after you! 4. in search or pursuit of. He ran after the bus. 5. considering. After all I've done you'd think he'd thank me; It's sad to fail after all that work. 6. American. in telling the time) past: It's a quarter after ten. adverb later in time or place. They arrived soon after. conjunction later than the time when. After she died we moved house twice. ˈaftermath. mӕθ) noun the situation etc resulting from an important, especially unpleasant, event. The country is still suffering from the aftermath of the war. ˈafterthought noun a later thought. ˈafterwards adverb later or after something else has happened or happens. He told me afterwards that he had not enjoyed the film. after all 1. (used when giving a reason for doing something etc) taking everything into consideration. I won't invite him. After all, I don't really know him. in spite of everything that has/had happened, been said etc. It turns out he went by plane after all. be after to be looking for something. What are you after. The police are after him. afterwards → بَعْد ذَلِكَ potom derefter nachher κατόπιν después jälkeenpäin après poslije successivamente 後で 나중에 naderhand etterpå potem posteriormente efteråt หลังจากนั้น sonra sau đó 然后 afterwards adv. después, luego, más tarde. Shall we meet afterwards.

Abramorama, Release Date: January 10, 2020, Not Rated Summary: Jerusalem-born trauma expert Ofra Bloch forces herself to confront her demons in a journey that takes her to Germany, Israel and Palestine. Set against the current wave of fascism and anti-Semitism sweeping the globe, Afterward' delves into the secret wounds carried by victims as well as victimizers, through testimonies ranging from the Jerusalem-born trauma expert Ofra Bloch forces herself to confront her demons in a journey that takes her to Germany, Israel and Palestine. Set against the current wave of fascism and anti-Semitism sweeping the globe, Afterward' delves into the secret wounds carried by victims as well as victimizers, through testimonies ranging from the horrifying to the hopeful. Seen as a victim in Germany and a perpetrator in Palestine, Ofra faces those she was raised to hate and dismiss as she searches to understand the identity-making narratives of the Holocaust and the Nakba, violent and non-violent resistance, and the possibility of forgiveness. … Expand Genre(s) Documentary Rating: Not Rated Runtime: 95 min Buy On.

Production Notes from IMDbPro Status: Pre-production, See complete list of in-production titles  » Updated: 16 October 2019 More Info: See more production information about this title on IMDbPro. Photos Add Image Add an image Do you have any images for this title? Learn more More Like This Action Thriller After getting hired to probe a suspicious death in the small town of Wander, a mentally unstable private investigator becomes convinced the case is linked to the same 'conspiracy cover up' that caused the death of his daughter. Director: April Mullen Stars: Heather Graham, Katheryn Winnick, Tommy Lee Jones Comedy 1 2 3 4 5 6 7 8 9 10 5. 1 / 10 X 15 minutes of fame destroys the life of a man who works as a clapper in television. Dito Montiel Ed Helms, Amanda Seyfried, Tracy Morgan Horror 5. 2 / 10 A scientist with the ability to enter the subconscious minds of the possessed must save a young boy from the grips of a demon with powers never seen before, while facing the horrors of his past. Brad Peyton Aaron Eckhart, Carice van Houten, Catalina Sandino Moreno A disgraced cop finds himself in a race against time to find a kidnap victim whose abductor he accidentally killed. Steven C. Miller Dina Meyer, Giancarlo Esposito, Courtney Eaton Crime Drama 7 / 10 The movie is a coming-of-age drama about a boy growing up in Astoria, New York during the 1980s. As his friends end up dead, on drugs, or in prison. He comes to believe he has been saved from their fates by various so-called saints. Robert Downey Jr., Rosario Dawson, Shia LaBeouf 5. 8 / 10 A devoted husband in a marriage of convenience is forced to confront his secret life. Robin Williams, Roberto Aguire, Kathy Baker 5. 6 / 10 In New York City, a young counterfeiter is introduced to the world of underground street fighting by a seasoned scam artist, who becomes his manager on the bare-knuckling brawling circuit. Channing Tatum, Terrence Howard, Luis Guzmán Documentary 8. 9 / 10 Afterward delves into the secret wounds carried by victims as well as victimizers, through testimonies ranging from the horrifying to the hopeful. 5. 9 / 10 In a post-apocalyptic America, former U. S. Marine Gabriel Drummer searches desperately for the whereabouts of his son, accompanied by his best friend and a survivor. Shia LaBeouf, Jai Courtney, Gary Oldman A young cop is assigned to a precinct in the working class neighborhood where he grew up, and an old secret threatens to destroy his life and his family. Al Pacino, Juliette Binoche The thrilling true-story of a U. S Military suicide mission through miles of enemy, Vietcong infested tunnels. American forces are trapped on the edge of no-mans-land, facing danger amid a. See full summary  » Mark Burman Jordan Johnson-Hinds, Nick Heyman After a personal tragedy and having his own crisis of faith, a minister is taken captive by a mother who believes her son possesses extraordinary abilities that are rooted in evil. Edit Storyline A small-town father grows desperate while seeking justice after his daughter's death, but the accident that took her life has sinister roots and someone willing to kill to keep them secret. Plot Summary Add Synopsis Details Company Credits.

Again with that old hag. Really can't stand her face no more.